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Malika Ali Harding

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The Work of Raif Adelberg @ HVW8 Art + Design Gallery

The Work of Raif Adelberg @ HVW8 Art + Design Gallery

Going Dark: Black & Luxe

Malika Ali March 13, 2014

It might be that my mood has grown a little darker.  I had planned to paint the walls of the gallery a traditional white for the opening of Woman. Hair. Power.  Then somehow, I was struck by the awe and wonder of blackness.  It could be the constant loop of Kathleen Cleaver in my ear chanting, "Black is beautiful!"  Whatever the reason, I've fallen head over heels in love with the look of lacquered black.  

We begin revamping this weekend in preparation for The Ground Floor Gallery's inaugural exhibit.  You may find yourself staring at art on some very subversive wall space.  This is a good thing.  In opening a residential gallery,  I wanted to challenge the assumptions we make about art experiences.  Assumption number one - art needs white walls. No it does not!  

Just take a peek...

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See you at the art show!

In Contemporary Art, Culture, Design
2 Comments
Kathleen Cleaver, Photographed by Howard Bingham

Kathleen Cleaver, Photographed by Howard Bingham

Isn't It Beautiful?

Malika Ali March 10, 2014

Fifteen years ago, I assisted a documentary filmmaker in Boston, Mass.  He found me intellectually dull and hypocritically religious.  He was right.  I knew there was a tiny flame inside that hungered for the fuel of scholarly insight.  If only I could find the time to read a newspaper (print was still a big deal), then I could wow my mentor with a unique perspective on the international happenings of our day.  

Instead I struggled to make it through each day.  I was a single mother of two, living in a city where strangers had become family.  My closest relatives were a twelve-hour drive away.  I battled depression and bipolar illness, but was not aware of this diagnosis at the time.  Religion was my medicine.  It was good medicine.  It kept me reaching for the next day when my brain asked, "Why bother making it through the night?"  

I chose jobs that afforded the opportunity to either learn or create something new.  As a receptionist, I could sit at a desk and answer phones while writing my next big screenplay.  As an assistant documentarian, I had access to rare footage that told stories of the 20th century Black experience.  

It was during this time that I came across video of Kathleen Cleaver talking about her hair.  It was a short, powerful clip that struck me in such a way, I still think about it all these years later.  

 

"This brother here, myself, all of us were born with our hair like this.

And we just wear it like this, because it's natural.

The reason for it you might say...it's like a new awareness among Black people.

That their own natural appearance, this physical appearance is beautiful.

And it's pleasing to them.

For so many, many years we were told that only White people were beautiful.

Only straight hair, light eyes, light skin was beautiful.

And so Black women would try everything they could....

Straighten their hair, lighten their skin to look as much like White women.  

But this has changed because Black people are aware.

And White people are aware of it too, because White people now want natural wigs.

They want wigs like this.

Dig it?  

Isn't it beautiful?

- Kathleen Cleaver, 1968

I coupled this footage with symbol and typography to recall the role hair played in the protests and the power struggles of 1960's America.  

My installation, "Isn't It Beautiful," will be on exhibit for Woman. Hair. Power. @ The Ground Floor Gallery.

My former boss may never know the brilliant woman I've become, but you can catch a glimpse of the new and improved me on Saturday, March 29th during this one-day-only Women's History Event.

Tickets are available HERE.

 

 

 

 

 

In Contemporary Art, Culture, Politics
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Photographer Rebecca Drolen's, Drainage

Photographer Rebecca Drolen's, Drainage

Look Who's Coming!

Malika Ali March 6, 2014

I can't wait to introduce you to each of the artists joining us at The Ground Floor Gallery for Woman. Hair. Power.  

This exhibit is also the launch of Joie de Vivre's event series.  I've been known to host a good gathering and it's about time I expand my guest list.  So when I witnessed Rebecca Drolen's photography in Beautiful/Decay Magazine, I searched high and low and found her teaching young image makers in Nashville, Tennessee.

To my delight, she was thrilled to offer our gallery the opportunity to West Coast Premiere her latest work Hair Pieces. 

Drolen juxtaposes domestic relics with symbols of beauty and memory to tell a narrative of desire vs shame, life vs death in our relation to body hair.

In her own words, these photographs "function as both visual puns and, at times, as social critique."

Her portraits are all at once alluring and freakish, causing the viewer to linger and indulge in her curiosities.

Rebecca Drolen's images will be on display March 29th, 2014 as part of the group art exhibit Woman. Hair. Power.  

Tickets are available HERE.

In Contemporary Art
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